Dream theater master of puppets album full#
Nonetheless, I actually really like the cover versions here, both the full songs and the medleys, because they really showcase Dream Theater's appreciation for a wide range of rock forebears whilst still nicely framing everything in something close-ish to their sound. These are taken from a live fan club performance at Ronnie Scott's in London, which means that the shift from the studio polish offered to the title track to the live tapes can be slightly jarring. Petrucci's guitar work is particularly prominent, but Sherinian gets his opportunities to shine on the keys, LaBrie delivers some of his finest vocals, and I don't think I ever appreciated Myung/Portnoy rhythm section as much as I should have until I took in their work here.Īt the same time, Dream Theater were leery of just putting out a 23 minute EP, so they loaded it on with a bit of extra value by providing some cover versions to make up the remainder of the running time. Not putting this song out there in a definitive version of some kind would have been a travesty.Īs it is, the "EP" is a masterpiece already simply by virtue of the song's inclusion, and if you wanted to convince anyone of the chops of any member of this Dream Theater lineup, you could go a lot worse than playing them this.
Whilst fans can often be guilty of overhyping songs or performances which aren't actually that hot, especially if it's something which only a few people who happened to be at the right live shows would have heard, in this case the song absolutely deserved the hype. Still, if the original version of the song were half as good as this, it'd certainly measure up to anything that Dream Theater put on that release.Īs it is, the version we get of the song here reflects some years of further honing and polishing the composition through live performances, and the end result is one of the most incredible moments in the Dream Theater discography. In some ways, holding it back showed admirable - if uncharacteristic - restraint on the part of Dream Theater, because its inclusion would have turned Images & Words into a double album, and that's always a risky prospect. A 23 minute epic that qualifies as one of the most technically proficient, compositionally ornate, emotionally diverse, and outright proggy songs Dream Theater would ever compose, it had been lurking about in the setlist ever since the Images & Words days but had been held back from that album. They call it an EP largely because it was released for only one real purpose, and that was to get a studio rendition of the title track out there. It's not an EP in the sense that calling it an EP makes a mockery of the "extended play" and "long play" origin of those terms, but it is an EP in the sense that the band call it one. However, at the same time Sherinian's stint in the band also took in this EP that's not an EP. Derek Sherinian's stint as Dream Theater keyboardist is a little overlooked these days as well as being briefer than Kevin Moore's original tenure or Jordan Rudess's ongoing tour of duty, but Sherinian's time in the role also had the misfortune to coincide with the Falling Into Infinity album, which is generally considered to be a bit of a misfire compared to the albums preceding or succeeding it.
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